
This October, I was offered the chance to spend some time with Marge Nykaza, who runs an organisation called
Harmony, Hope and Healing. Based in Chicago, Marge runs a creative music programme with homeless and underprivileged people in shelters and community centres. Formed mostly around group singing work, Marge was keen to include more rhythm activities - which is where I came in (along with a large purple bag full of drums)…
Apart from the prospect of Chicago being warmer than Glasgow at this time of year, the idea instantly appealed. (In the end, it snowed unseasonally early…) Here in Scotland, I work on a freelance basis making music with a variety of different groups: in schools, churches, psychiatric hospitals, and with adults and children with a variety of special needs, so it seemed quite a natural progression to working with the kinds of groups Marge is involved with. However, circumstances were also different enough to mean that I was going to learn a lot, as well as hopefully being able to offer something in return.
On arrival, I really didn't have much idea of what I was getting into - it wasn't until we met up that I found out the extent of the work HHH did…
The programme is billed as a ‘healing tool for recovery from the adverse effects of homelessness and poverty’ and ranges from singing groups (which perform regularly) held in the shelters, through to parent and child music groups; piano lessons for the elderly; groups for young people, and even musical English lessons for recent immigrants!
As well as bringing rhythm to Marge's weekly round, we also had the pleasure of dropping in on a local high school, to talk to the students who were considering opportunities for community service. We talked with the girls about service through working musically with groups - along with a wee practical demonstration in the form of creating some instant rhythm and song in the classroom - using desks, hands, feet and voices. It worked a treat, and brought staff in from other rooms to see what was going on…
Later on, we were fortunate to be joined by some of the girls for a couple of sessions - drumming together at an elderly drop-in centre, and then at a shelter with some of the women and children. The girls were quite shy and tentative at first, (91 year old Mrs Brown leaned over to one of the girls with a "Could you smile please?") but later on with the mothers and children, we were all leaping around playing musical plastic tubes... they had certainly loosened up by the end of it!
Throughout the week, music became a common activity for people to encounter each other over societal or generational divides, and a great ‘leveller’ which brought people to a place where everyone was a learner together – rather than owning their more usual labels of ‘helper’ or ‘homeless person’ or ‘expert’ - although it was great to see the elders whooping it up on the drums amid a group of tentative teenagers... (How’s that for role reversal?)
From the outside - especially when faced with situations of such need - it could be easy to dismiss this kind of work as simply diversionary, or unnecessary. Marge admitted she’d occasionally been confronted by people saying ‘I’m homeless and poor – and you want me to …sing?’, but during the week it became apparent that in a sense it wasn’t about music at all, but rather about walking alongside people, and sharing our common humanity. Music was simply the means by which we came together, listened to each other, valued each other, and built community together.
There were so many highlights it would take too much space to list them all – here’s just a couple:
A completely unexpected pleasure was drumming at the men's shelter. There were a few raised eyebrows when a mild-mannered white chick from Scotland was introduced as someone who would help them all drum together!
However it wasn't only their expectations that were overturned, but mine too – I was quite prepared for a chaotic, loud session with the men letting rip on the drums without necessarily listening to the group. What actually happened was that after a few words about how drumming in a group was different to playing a drum kit or drumming alone, we all went straight into an extremely exuberant, but very musical and rhythmical 'groove' that lasted about 30 minutes without any further input. These guys could play....
A wee while later, we tried an exercise in ‘drum conversations’ - the only 'rules' being that one person chooses another for a drum ‘chat’ - and has to stop playing to let the other person reply, and so on. The second person gets to pick another person in the group, and have a conversation with them - then the third person, and so on. An amazing variety of conversations ensued: some were extremely rhythmic and musical - some less so, with a couple of the men finding it really difficult to stop and let each other play. Others were much more dramatic and interpretive - like real speech - leading to one guy jumping up at the end of his conversation, and jokingly accusing another that:
“He just said something about my mother!”
One of the most moving experiences happened one morning at a women’s shelter. There was a group of about 25 women present, and we got to playing together pretty quickly, along with some of the preschool children, who sat playing in a happy band in the middle of the circle, while their mothers and others played round about them. Again, it was easy to see the capacity of music to involve people regardless of age – toddlers and adults were equally engaged at their own level, yet still part of the same song.
As this was normally a singing group, we moved on to a couple of the songs that they knew – and we started singing an old gospel tune 'Wade in the Water', and drumming along. A couple of the women started taking turns to make up new verses, and before we knew it, everyone was stepping up one at a time to sing what was on their mind - about giving up drugs, about life in the shelter, about not putting up with abuse, about protecting their children, about trying to get their lives in order so they could get their children back, and some more humorous ones. Everyone gave space, everyone supported and encouraged each other, and the group had completely taken charge of the session in a wonderful way.
However, as well as some real highlights, I also received quite a lesson in learning to pace yourself. On the Thursday, I'd started to get a bit of a sore back, from carrying all the instruments around, but on Friday something really went awry, and I was in so much pain I couldn't speak at times. Something was definitely at work here, as I also just wanted to cry and cry over what I had experienced, and the people I'd met, particularly the children in the shelters. I guess I'd been holding it in all week, and it had to come out at some point! Yikes. There was nothing to do except lie down (very gingerly) for the rest of the day. I was beginning to worry about my ability to make it home on the plane in such a physical state - however, the next day I was virtually pain free, and just a little wobbly.
What an amazing week!
Having experienced this week of ups and downs, joy and tears, and seen what this way of spending musical time with people can do, it has made me think more about what could be developed back in Glasgow; whether that’s in my own work - or even enticing other musicians into this area. What if church musicians took the idea of ‘music ministry’ outside institutional walls, and into the community, even for an hour a week? What would it mean to ‘give to the poor’ from our immense musical and interpersonal resources, as well as our financial ones?
Having seen it at first hand, it now seems much more personally achievable to create possibilities for people than simply by having vague good intentions towards it, or imagining that one would ‘get around to it’ one day, whilst being overtaken by other equally demanding projects. One of the things Marge said a couple of times during the week was: 'How can you not do this kind of work?' - having shared just a small portion of it, I now understand exactly what she means! From the exuberance of the session with the men, to the energy of the children, and sheer emotion of the women's sessions, it was a joy and a privilege to be able to spend time and encounter each other through music. Harmony, hope and healing indeed…